This is a really interesting article. Morris Cai, writing for Vino Joy News, profiles Alexandre Ma. Ma is a Bordeaux-based independent Chinese critic. He and his teammates represented China and won the World Blind Tasting Championship in 2016, he holds the WSET Diploma, France’s D.U.A.D. tasting diploma, and French, Italian, and Spanish Wine Scholar certifications all with highest honors, plus France’s national sommelier qualification, and he is an honorary knight of both Bordeaux’s Left Bank wine fraternity and the fraternity of Pomerol.
From the article:
But the accolades aren’t what matter most to him. More than titles, Ma wants to build something else: a system of wine criticism rooted in Eastern modes of expression, capable of speaking to consumers as equals.
For someone with an Asian face, becoming a professional wine critic in Europe was no easy task.
“There was no problem with being an intern,” he says, “but when it came to actually reviewing and scoring wines, many European wineries initially found that difficult to accept.”
He compares it to a foreigner arriving in China to evaluate Chinese tea: people naturally wonder whether the person really understands it.
” Asian consumers don’t lack sensory ability, he argues — what they lack is the chance to connect their existing sensory memories to wine. “Our task is to use professional knowledge to make that connection,” he says.
That belief shows up directly in his reviews, which lean more heavily on Eastern food references than most Western criticism does. Dried cranberry, a common descriptor among European and American critics, closely resembles the hawthorn jelly familiar to Chinese consumers. Wines with a gelatinous texture that seems to melt in the mouth remind him of tremella soup, the traditional Chinese sweet soup made with snow fungus.